Minggu, 21 Februari 2010

[Q252.Ebook] Download PDF An Introduction to Astronomy and Astrophysics, by Pankaj Jain

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An Introduction to Astronomy and Astrophysics, by Pankaj Jain

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An Introduction to Astronomy and Astrophysics, by Pankaj Jain

Astronomy is the field of science devoted to the study of astronomical objects, such as stars, galaxies, and nebulae. Astronomers have gathered a wealth of knowledge about the universe through hundreds of years of painstaking observations. These observations are interpreted by the use of physical and chemical laws familiar to mankind. These interpretations supply information about the nature of these astronomical objects, allowing for the deduction of their surface and interior conditions. The science associated with these interpretations is called astrophysics.

An Introduction to Astronomy and Astrophysics offers a comprehensive introduction to astronomy and astrophysics, complete with illustrative examples and illuminating homework problems. Requiring a familiarity with basic physics and mathematics, this undergraduate-level textbook:

  • Addresses key physics concepts relevant to stellar observations, including radiation, electromagnetic spectrum, photometry, continuous and discrete spectrum, and spectral lines
  • Describes instruments used for astronomical observations as well as how the radiation received is characterized and interpreted to determine the properties of stars
  • Examines the structure of stars, the basic equations which explain stars in equilibrium, and the fusion reactions occurring in stellar cores
  • Discusses the evolution of stars, the solar system, the dynamics of galaxies, and the fundamentals of modern cosmology
  • Explores the universe at high redshifts, where it is dominated by objects such as active galaxies

Solutions manual and figure slides available with qualifying course adoption

An Introduction to Astronomy and Astrophysics teaches students how to interpret the night sky, providing them with a critical understanding of the stars and other heavenly bodies.

  • Sales Rank: #2002269 in Books
  • Published on: 2015-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .90" w x 6.20" l,
  • Binding: Hardcover
  • 365 pages

Review

"Jain has produced a concise, calculus-based textbook aimed at majors in their sophomore or junior years. … ideas are laid out in logical order, and key concepts are explained. End-of-chapter assignments include derivations, calculations (with specific equations often recommended), and verifications. … useful as a review for someone already familiar with the material. This title features useful diagrams … . Recommended for upper-division students."
―CHOICE, December 2015

About the Author

Pankaj Jain obtained his doctoral degree from Syracuse University, New York, USA. He subsequently carried out postdoctoral research at the Massachusetts Institute of Technology (MIT), Cambridge, USA; West Virginia University, Morgantown, USA; University of Kansas, Lawrence, USA; and University of Oklahoma, Norman, USA. Dr. Jain is currently a professor in the Physics Department at Indian Institute of Technology, Kanpur. He is a theoretical physicist, whose chief interests are in high energy physics and cosmology. Presently, he is working on the models of dark energy and dark matter, cosmic microwave background radiation, observational tests of the cosmological principle, fundamental symmetries of nature, ultra-high energy cosmic rays, and strong interactions.

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Minggu, 14 Februari 2010

[U411.Ebook] Free PDF Three Soldiers, by John Dos Passos

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Three Soldiers, by John Dos Passos

A searing novel exposing the fate of the common soldier during World War I. Driven by the idealism that infected many young Americans at the time (including Ernest Hemingway), author John Dos Passos joined the Ambulance Corps. His rapid and profound disillusionment forms the core of this fierce denouncement of the military and of the far-reaching social implications of its exploitation of young men.

  • Sales Rank: #17176922 in Books
  • Published on: 2015-12-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .57" w x 6.00" l, .75 pounds
  • Binding: Paperback
  • 252 pages

Review
“I regard Dos Passos as the greatest writer of our time.” —Jean-Paul Sartre


From the Trade Paperback edition.

From the Publisher
A deft chronicler of the American experience, John Dos Passos has taken his place alongside his contemporaries, Ernest Hemmingway and William Faulkner. In Three Soldiers, he introduces readers to a Harvard aesthete who joins the army out of idealism, and his two buddies. One by one, their illusions crumble under the tyranny, red tape, and boredom of the military. The soldiers' reactions range from bitterness to rage, and--for one--murder, in this vivid portrayal of human spirit caught in the grip of war.

From the Inside Flap
A deft chronicler of the American experience, John Dos Passos has taken his place alongside his contemporaries, Ernest Hemmingway and William Faulkner. In Three Soldiers, he introduces readers to a Harvard aesthete who joins the army out of idealism, and his two buddies. One by one, their illusions crumble under the tyranny, red tape, and boredom of the military. The soldiers' reactions range from bitterness to rage, and--for one--murder, in this vivid portrayal of human spirit caught in the grip of war.

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40 of 43 people found the following review helpful.
Better than a textbook
By Michael Battaglia
I probably shouldn't have read this after the great and mighty USA trilogy since anything else he did only pales to that great work but this is a fine, if little known work from a great writer. As people who have read the USA trilogy know, Dos Passos absolutely hated WWI and everything it stood for and here he got to take out his anger on a few targets. While not as focused as 1919 was, he shows his feelings with a deft touch and a depth of feeling that was rarely seen in war novels, his characters aren't all brilliant, the only really three dimensional one is Andrews but they depict a cross section of American life and through their adventures he shows what his firm belief was: that the machine of the army sucked the spirit out of someone and turned them nearly into a automaton. And without focused on the gory battles, he shows the horror of the war in a way that few writers have. Definitely a book that needs to be looked at again and should be ranked with The Naked and the Dead, and Red Badge of Courage (among others).

55 of 62 people found the following review helpful.
Minor Work by an American Great
By A. Ross
Dos Passos's attempt to expose the reader to the plight of the common American enlisted man in WWI rarely manages to achieve the impact one suspects he must have been seeking. It's not about the horrors of battle at all--the three soldiers of the title encounter no real fighting, and half the book takes place after the armistice. Rather, the book is about the horrors inflicted on the minds and spirits of men by the military machine and its inhuman procedures. Dos Passos does this by bludgeoning the reader with the endless drudgery of the soldiers' existence as they meet in boot camp and make their way to France. His three soldiers as clearly meant to cut across the strata of American society: Italian-American San Franciscan, Midwestern farm boy, Harvard-educated pianist, and he clearly shows how they all get ground down and reduced to nothing by the army. In doing so, the book becomes more of an anti-war, pro-personal freedom manifesto than it is a story with a plot. This isn't necessarily a bad thing, it just isn't done very delicately and thus makes for a rather tedious read. In the end, it's clear why this is considered a rather minor work by an American great.

21 of 23 people found the following review helpful.
Highly symbolic treatise on individualism
By James D Mcgee
To read this novel as a war novel is a mistake. World War I is mearly the canvas upon which Dos Passos paints his story. If individuals have a responsibility to their government, what responsibility does that same individual have to his/her own conscience? "Three Soldiers" attempts to answer this question. As with most great works of literature, the story can be read on two levels.

At the surface you have the stories of three men with different desires of who and what they want to be. There is a theme of Socialism and anti-war here as well. It's a good story at the surface level. What makes this novel great, however, is that there is an underlying message here, wrought with symbolism. It's the study of the awakening of the individual and the choices he (John Andrews) makes. It's a study of moral courage in the face of insurmountable odds.

John Andrews (the central character) initially joins the army out of a sense of duty, then begins to recognize how he has been stripped of all who he was and has begun to conform to the "machine" of society. Disgusted, he takes his first tentative steps back toward who he really is at heart. The moment of epiphany comes when, after having been wounded and waking up in a make-shift hospital surrounded by busts of great men of the past, he decides that he must make his stand to change the world in what ever way he can just like the men represented in the busts above him did. His choices eventually drive him to desert the army while in Paris. The real choice comes near the end of the novel when he is presented the opportunity to return to the army with no consequence to his prior desertion. (I won't ruin the ending for you!)

There is a strong element of socialist propoganda in the novel. I am no more a socialist than I am a horse, but the reader should remember that this novel was written before the failings of socialism were widely known. It was a much more idealisic time and the evils and harshness of socialism had yet to be realized. The socialist element of the novel need not deter the reader from the true message: the courage and triumph of individual freedom.

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Kamis, 04 Februari 2010

[H330.Ebook] PDF Ebook The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition, by Robert Bringhurst

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The Elements of Typographic Style: Version 4.0: 20th Anniversary Edition, by Robert Bringhurst

Renowned typographer and poet Robert Bringhurst brings clarity to the art of typography with this masterful style guide. Combining the practical, theoretical, and historical, this edition is completely updated, with a thorough revision and updating of the longest chapter, "Prowling the Specimen Books," and many other small but important updates based on things that are continually changing in the field.

  • Sales Rank: #45005 in Books
  • Published on: 2013-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .82" h x 5.37" w x 9.25" l, 1.18 pounds
  • Binding: Paperback
  • 382 pages

Review
"A classic in the field." — Library Journal

About the Author
Robert Bringhurst is a poet, typographer, linguist, critic, designer, translator, teacher, and cultural historian. He has published more than thirty books, eighteen of them books of poetry. His book, The Black Canoe, a study of Bill Reid’s sculpture, is a classic of Native American art history and his book The Elements of Typographic Style is considered the “bible” for typographers the world over. In Canada, Bringhurst is best known for his groundbreaking study of Native Canadian oral literature, A Story As Sharp as a Knife: The Classical Haida Mythtellers and Their World (1999), a work that startled many readers and sparked intense academic and public debate. Two volumes of translation from classical Haida complete the trilogy: Nine Visits to the Mythworld and Being In Being. In 2004, the trilogy earned Bringhurst the Edward Sapir Prize, awarded by the Society for Linguistic Anthropology. Among his more recent books of poetry is Ursa Major (2003), a multilingual work in which characters tell simultaneous stories in English, Latin, Greek, and Cree.

Born in Los Angeles in 1946, Robert Bringhurst was brought to Canada at the age of five, raised largely in Alberta, and has lived and worked in British Columbia since 1973. He currently lives near Heriot Bay on Quadra Island.

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103 of 108 people found the following review helpful.
I can't remain in my profession without this book.
By Brian M. Taylor
As a designer, I am always looking to hone my skills. I thought I was adept at setting type until I found this gem. Bringhurst's study of type covers the obvious to the arcane. Beautifully designed, it illustrates type and their families, page geometry, philosophies of design, and typesetting rules. Master Craftsman, Hermann Zapf (you know -- his faces are in your computer) said himself that "he wishes to see this book become the Typographers Bible". This book is a must for the writer, publisher, designer, and editor because it covers a multitude of topics and rules vital and common to each sector. This is the "Manual of Style" for typesetting. It requires us to think more carefully about the setting of words and its impact on writing: "Typography is to literature what musical performance is to composition -- full of endless opportunity for insight OR obtuseness." I recommend this for anyone even remotely interested in the artform of letters. I highly recommend it for writers considering designing their own books.

200 of 216 people found the following review helpful.
Not perfect, but probably the best
By Erik Fleischer
The Elements of Typographic Style (version 3.1) is certainly a very well written book that contains not only a great deal of useful information but also interesting insights of a more subjective nature. However, it is not as perfect as practically every other review posted here suggests, and I would like to point out a few aspects in which it could be improved.

Little more than half of the 382-page book is filled with what I would call the actual "core" of the work. The other half is dedicated to analyses of the author's favourite typefaces (about 80 pages) and several appendices. There is nothing inherently bad about this distribution, but unfortunately some of the core parts were only given a cursory mention, when in my opinion they deserved more in-depth discussions.

So, for example:

(a) In chapter 8, Shaping the Page, the author lists countless page and textblock proportions and provides a large number of geometric figures representing page formats, but does little more than give each proportion a name ("Full Cross Octagon page", "Turned Hexagon" etc). He then gives a few examples, but not nearly enough, and leaves the reader wanting for more details on which proportions or formats would, in the author's analysis, be more appropriate for this or that type of text. And most of the numbers and diagrams merely take up space in the book, since just knowing about their existence does not help much.

(b) Two diagrams on page 6 (just before the table of contents) are supposed to show the reader how the author came up with the proportions for the book's pages and textblocks. Unfortunately, the hexagons, circles and intersecting lines are not accompanied by any kind of explanation (and reading chapter 8 is not enough to decipher them), so instead of serving as a useful practical example they do little more than decorate the front matter.

(c) In chapter 10, Grooming the Font, Bringhurst advises readers to mend defective glyphs and make glyphs that are missing from a font, but does not suggest ways in which these tasks might be accomplished. One can more or less guess how he went about making the corrections to Photina shown as an example, but it would be useful to be given a little more detailed information. Someone who needs to be told to fix a font certainly needs to be told how to fix it.

(d) On pages 204 and 205, the author shows "part of a text file designed to test for missing or dislocated glyphs". Why not give the reader the full file, as an appendix perhaps? Why not save the reader the trouble of trying to reproduce the full test text (after googling in vain for it), which probably will not be nearly as good as the one Bringhurst, a master typographer, has produced over the years?

(e) The author's suggestions for further reading are not annotated in any way, and many, if not most, of the books mentioned are out of print. The reader will seldom find information about the contents of the out-of-print books (which are often not made clear by the title) on Amazon.com, so comments by the author would have been extremely useful.

Another slightly disappointing feature of a book that has a section on page design is the fact that, at least in my humble opinion, the textblock is a little too close to the spine for comfortable reading - but maybe there wasn't much the author could have done to anticipate the way the binding would work.

In the end, anyone serious about typography will want to get this book anyway: not only because it is probably the best in its class, but also because Bringhurst is a master from whom a lot can be learned. Having said that, until the issues mentioned above are addressed (perhaps in a future edition?), I would not consider this book worthy of "bible status".

----

I wrote the above review several years ago and originally gave the book four stars. In a recent comment on my review, fellow reader Steve McFarland wrote: "I only wanted to say, half-seriously: the Bible has a lot more flaws than this, but it's still the Bible - I say Bringhurst wrote the definitive text, warts and all!" And he's right: expecting absolute perfection is unrealistic and unreasonable. Five stars it is.

52 of 54 people found the following review helpful.
Should be required reading
By A. Cinque Hicks
This book should be required reading for every graphic designer, book designer, typographer and certainly anyone directly or indirectly responsible for unleashing the current wave of awful typography on an unsuspecting public. Bringhurst covers everything from the basics of type styles to advanced kerning principles to the finer points of page proportions, all in a succint yet engaging way.
Bringhurst does an excellent job of laying out a series of rules and guidelines, while making it clear that these are a starting point, a foundation for good type design, not a set of limitations. He is a poet as well as a typographer, and his eloquence pays tribute to the field as no one else has.
The book features a good deal on the evolution of typography and includes great side-by-side comparisons of typefaces to illustrate specific points. He also deals extensively with punctuation marks, diacritics and the duty/joy of designing type with languages other than English in mind. I find myself returning again and again to the section on the subtleties of page proportions. He also achieves the nearly impossible balance of singing the praises of the old masters while not being afraid of the best of what's new and experimental.

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Rabu, 03 Februari 2010

[G518.Ebook] Get Free Ebook Encyclopedia of Religion Volume 15 (APPENDIX-SYNOPTIC OUTLINE-INDEX, V. 15), by Lindsay Jones

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Encyclopedia of Religion Volume 15 (APPENDIX-SYNOPTIC OUTLINE-INDEX, V. 15), by Lindsay Jones

  • Sales Rank: #6391871 in Books
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.90" h x 8.60" w x 11.00" l, 4.95 pounds
  • Binding: Hardcover

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Encyclopedia of Religion Volume 15 (APPENDIX-SYNOPTIC OUTLINE-INDEX, V. 15), by Lindsay Jones PDF
Encyclopedia of Religion Volume 15 (APPENDIX-SYNOPTIC OUTLINE-INDEX, V. 15), by Lindsay Jones PDF