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The Sad Night: The Story of an Aztec Victory and a Spanish Loss, by Sally Schofer Mathews
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“This sensitive treatment of La Noche Triste, or The Sad Night, the last battle the Aztecs won against the Spaniards, is a highly effective melding of graceful, lucid text and stylized art. Designed to resemble Aztec codices, the illustrations appear in double-page strips above the bordered text. Beginning with the Aztec migration to Tenochtitl�n (now Mexico City), the history of this people is traced through their final conquest by Cort�s’s forces. . . . This title has the distinction of combining myth with historical fact in a particularly successful manner. An engaging introduction to Mexican history.”—School Library Journal
- Sales Rank: #451185 in Books
- Brand: Sandpiper
- Published on: 2001-03-19
- Released on: 2001-03-19
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 10.50" w x .25" l, .40 pounds
- Binding: Paperback
- 40 pages
From Publishers Weekly
Expertly weaving dialogue into her absorbing account, Mathews chronicles the fateful encounter that paved the way for the Spaniards' conquest of Mexico more than 400 years ago. As she sets the stage, Mathews explains how the Aztecs, under Moctezuma, vanquished other tribes to establish an expansive empire based on the island of Tenochtitlan, now Mexico City. When Spanish soldiers entered the city in 1519, Moctezuma mistook their leader, Hernan Cortes, for a god and offered him gold and jewels. The arrival of a second fleet of Spanish ships led to the battle that took place on "The Sad Night"; Moctezuma was killed and the Spaniards, attempting to escape with a cache of gold, were chased and defeated by the Aztecs. Mathews neatly distills the intricate details of this skirmish, observing that there were many casualties on both sides, and that the victors "did not know that this was the last battle they would win." Inspired by the few Aztec codices that survived the Spanish conquest, Mathews's dynamic ink and electric-hued watercolor art plays a strong role in the telling of this intriguing story. Endnotes succinctly encapsulate the rise and fall of the Aztec empire, and a brief discussion of Aztec symbols and calendars includes striking examples. Ages 6-9.
Copyright 1994 Reed Business Information, Inc.
From School Library Journal
Grade 3-6-This sensitive treatment of La Noche Triste, or The Sad Night, the last battle the Aztecs won against the Spaniards, is a highly effective melding of graceful, lucid text and stylized art. Designed to resemble Aztec codices (most of which were destroyed by the Spaniards), the illustrations appear in double-page strips above the bordered text. Beginning with the Aztec migration to Tenochtitlan (now Mexico City), the history of this people is traced through their final conquest by Cortes's forces. Though the figures in the paintings are small, the action is clearly discernible. Indeed, children can "read" the story from these expressive illustrations. The final three pages of the book give more detailed information on the Aztecs and Cortes, including an explanation of the Aztec calendar. Similar in narrative and illustrative style to Deborah Nourse Lattimore's Why There Is No Arguing in Heaven (1989) and The Flame of Peace (1987, both HarperCollins), this title has the distinction of combining myth with historical fact in a particularly successful manner. An engaging introduction to Mexican history.
Ann Welton, Terminal Park Elementary School, Auburn, WA
Copyright 1994 Reed Business Information, Inc.
From Booklist
Gr. 3-5. Using a picture-book format, Mathews presents a brief history of the Aztecs and their city Tenochtitlan, with special focus on the dramatic story of Montezuma and Cortes. The book climaxes with the bloody battle known as the Sad Night, when the Aztecs fought off the Spaniards for control of their city, though the closing pages relate the Aztecs' eventual downfall and the legacy of their city as the site of Mexico City today. Inspired by Aztec designs, the stylized artwork includes repeated geometric patterns and the depiction of people and animals in silhouette. The last illustration is a cutaway view of modern Mexico City above and below ground, showing Aztec artifacts still buried beneath buildings and above subway tunnels. Although the format has limitations as a vehicle for this amount of information, the book remains an attractive resource for school classes studying the Aztecs. Carolyn Phelan
Most helpful customer reviews
13 of 13 people found the following review helpful.
A great introduction to the story of the Spanish invasion
By A Customer
I will say first of all that this is a bloody and somewhat gruesome story in parts. But war is bloody and gruesome. It was appropriate for my six year old boy. This was an interesting story (with fabulous pictures) that even teaches how the picture on the Mexican flag came about. I learned something by reading it and it fueled my son's interest in the Mayans, Aztecs, and Incas.
10 of 10 people found the following review helpful.
A Truely Sad Story
By A Customer
This historically accurate story of the end of the Aztec Empire in Mexico is well written and engrossing. The history it contains is better suited for oder children, but the format is engaging for younger readers. It's the kind of book that made this adult reader want to learn more about the Aztec and Hernan Cortes!
4 of 5 people found the following review helpful.
a classic for many many years
By J. Norman
This book has been beloved by my kids and nieces/nephews to read each and every year, from age 4 to age 13. I just attended the Aztec exhibit at the British Museum in London, and realized I knew and understood most of the exhibit from reading "The Sad Night". My mom and I were amazed at how historically accurate the story and drawings were to the Aztec iconography, while still being really interesting to look at and read for kids.
This is such a worthwhile book because kids keep coming back to it. It is so well done. Yes, its somewhat bloody in its story of war and conquest, but that's what really happened. I'm going to get it for our school library.
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