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Breaking new ground in the study of tragedy, early modern theatre, and literary London, Metropolitan Tragedy demonstrates that early modern tragedy emerged from the juncture of radical changes in London’s urban fabric and the city’s judicial procedures. Marissa Greenberg argues that plays by Shakespeare, Milton, Massinger, and others rework classical conventions to represent the city as a locus of suffering and loss while they reflect on actual sources of injustice in sixteenth- and seventeenth-century London: structural upheaval, imperial ambition, and political tyranny.
Drawing on a rich archive of printed and manuscript sources, including numerous images of England’s capital, Greenberg reveals the competing ideas about the metropolis that mediated responses to theatrical tragedy. The first study of early modern tragedy as an urban genre, Metropolitan Tragedy advances our understanding of the intersections between genre and history.
- Sales Rank: #3513180 in eBooks
- Published on: 2015-04-23
- Released on: 2015-04-01
- Format: Kindle eBook
Review
‘This book will delight anyone who is curious about the early modern history of London, a city that beguiled locals and visitors alike with fantasies of economic opportunity, political freedom and moral reformation.’
(Penelope Geng Renaissance Quarterly vol 68:03:2016)‘Metropolitan Tragedy is a valuable piece of scholarship… Highly recommended.’
(J.D. Sharpe Choice Magazine vol 53:03:2015) Review
“Marissa Greenberg’s fascinating exploration of early modern tragedy in the city of London produces fresh and original readings of visual prints, religious and polemical tracts, and literary authors from Shakespeare and Massinger to Milton. Scrupulously researched and lucidly written, the book is an important intervention in scholarship on early modern tragedy, urban geography, and law, justice, and punishment. Greenberg brings a welcome consideration of genre to historicist scholarship and breaks new ground with a series of dazzling juxtapositions of texts and contexts.”
(Laura Knoppers, Department of English, University of Notre Dame)“Metropolitan Tragedy is a wide-ranging and provocative book that makes major contributions to ongoing critical conversations in space theory, historicist treatments of early modern drama, and genre theory.”
(James Mardock, Department of English, University of Nevada, Reno) About the Author
Marissa Greenberg is an assistant professor in the Department of English at the University of New Mexico.
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A Different View
By John Matlock
The mid 1600’s were not a particularly good time to be in England. There were the civil wars, and various other wars between Catholics and Protestants (among others). A lot of the royal family, kings and wives were executed. The great fire of London took place. Dr. Greenberg has analyzed this time not from a historical point of view, but from an analysis of plays, other writings and paintings from and about the time. She analyzes works of Shakespeare, Milton, Massinger and many other writers to illustrate how the literature changed to match changes at the base level of society. There were arguments about the divine power of kings culminating in the execution of Charles I. Cromwell was attempting to change the very structure of English government.
Dr. Greenberg includes eleven illustrations from paintings of the period. Unfortunately including the paintings in black and white in a regular 6"x9" book means that they are reduced in size to make them difficult to see the critical points she is discussing. To better see what she is discussing I went to the web to find better images.
All in all, this book presents an original view of life at the time.
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